Visual rhetoric in formations linear structure | ||
| al-academy | ||
| Article 1, Volume 0, Issue 68, July 2018, Pages 200-214 | ||
| Author | ||
| Hussein Ali Jermt | ||
| Abstract | ||
| Visual rhetoric in Formations calligraphist structure This research study (visual rhetoric in Formations calligraphist structure) what distinguishes this line from other the technical specifications Arab calligraphist which help build these Formations , As well as the method or technique that distinguish it, even show the internal structural transformations make it offset from the idea of receiving direct, taking the long connotations ranges of non-traditional art visual eloquence . Through the scoping study and research and models that have been obtained the researcher was able poses a problem discussed in the first chapter of his study by asking the following: What are the visual rhetoric in Formations calligraphist structure? And the importance of searching epitomized through the fact that rhetoric optical Formations calligraphist wide field to shift the structural and formal training, and what may offer this study of interest to researchers and scholars in the field of calligraphy, while the research was aims to detect Rhetoric optical structures Formations calligraphist started in (Iraq and Turkey) for the duration of the year (1415 - 1996) to (1427 - 2006). The second chapter included (three sections) ,first topic shifts structural Formations calligraphist, where you know the rhetoric in the Formations elements calligraphist (point and Crafts and the Word and Formations), The second part of the interactive relationship rhetorical elements of Formations calligraphist, as exposure to the most important relationships between the elements Formations and played pro forma offsets in different ways, while the third section has included a visual message semantics in the calligraphist Formations through the investment of rhetorical concepts in the fields of visual language (emphasis counterpoint and metaphor and miniaturization metaphor), followed by theoretical framework indicators. The third chapter included the research procedures, as adopted descriptive analytical method, and the research community has included Formations calligraphist Rhetoric visual, and numbered (60) panel chose researcher (3) samples intentional, was analyzed according to the search tool of analysis form which included three pillars of oversaw the validity of a group of specialists in this field. The fourth chapter included the analysis of samples and display the results, including: 1- taking the structural transformation within the system of calligraphist composition ranges far and indications of non-traditional artistic and intellectual aspects of the (rhetorical) . 2- comes the spatial organization of the letters and words within the structure of the Formations language of visual rhetoric, and that was in all samples. 3- Calligrapher tends to fragmentation of the text in different to what builders turned writes in the traditional way. 4- The structural transformation of the letters and words go beyond their function through technical shifts, especially the point that exceed it function | ||
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