Social communication in the arts of postmodern conceptual art a model | ||
| al-academy | ||
| Article 1, Volume 0, Issue 67, July 2018, Pages 49-64 | ||
| Authors | ||
| Mohammad Kanani; Ekhlas Yas Khudair | ||
| Abstract | ||
| The research current (social networking in the arts of postmodernism (conceptual art a model) has this research contains four chapters, which included the first chapter methodological framework for research and which represents the research problem which manifested itself on the social networking and highlight the desired light in the arts landmarks postmodernism and how determine the modern concept of social networking as contained aim of the research is to identify the (social networking in the arts of postmodern conceptual art a model), while the boundaries of research has been limited to the study of social networking in the arts of postmodernism (1970-2000), citing the models pictured above with foreign sources and network information (online). The theoretical framework included the concept of social networking and the conceptual art, art, and the art of body language as indicators resulting from the theoretical framework included. The third chapter singled out (the rules and Research), which included the community research and analysis of the samples the (5) works of art, while the fourth chapter included the search results, and leading their findings researchers: - Invented trends postmodern new data for the synthesis of the visual, through the abolition of the distances between the shape and nature of the substance and form and ejected him. And between the signifier and the signified. And the introduction of new structures on the shape activating the total space for viewing and using innovative techniques and technology. As well as participate actual assembly of the recipients, to change the concept of the plate to plastic optical done as models in all samples. 2-use of photographs, documents and papers Almstnsschh to communicate with the receiver as a substitute for drawing shapes, for the intervention of an essential part of the work in the samples Alphena.kma models (1.3). 3. The idea is to become the actual target rather than the artwork itself in the conceptual art form and became a language overlap with collages, to find a novel form differs from the ordinary. As in the samples and models (2, 4, 5). 4-theatrical presentation is open and objective Bmatyate offsets about the semantics of conceptual communication and image with the receiver loses the functional significance of things through them in order to build a reincarnation Ignace fundamental spiritual as in Alnozj of the sample (2) | ||
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