SCENES WAR CONFIGURATION BETWEEN THE GUERNICA AND ASSYRIAN APOPHYSIS SCULPTURE | ||
| al-academy | ||
| Article 1, Volume 0, Issue 67, July 2018, Pages 37-48 | ||
| Author | ||
| RUSUL MUDHAFAR ALI HASSAN | ||
| Abstract | ||
| From the beginning of this research, it was necessary to present a general concept of straggling as we consider all the existence in nature, the smallest & the biggest one, are in state of struggling & even between the human desires & community.& a going over of some of the theorists & socialists view about this concept whether agreeing or disagreeing. Considering war is a part of this concept, thus, the precisely specification for the war horizon conception as it is pressing environment intervene the society of the artist that growing in exceptional environment & there is no community void of struggling and warfare, in past & present. Then the researcher mentioned in the second chapter of the theoretical framework of some war scenes in optical field & quick view about the subject of master pieces in this issue, we specify in the third chapter from the theoretical frame work a deep study in infrastructures showing for painting in war subject for each of Rubens (Massacre of the Innocents) Goya (The Executions of the Third of May) & she reached to the important point of the theoretical framework & considered it a main tool in practicing in the research. & the fourth chapter become to maintain the samples analysis that could be between the Guernica & the Assyrian wall paintings. the time edge of the research from 688 and to 1937. & finally she reached to the most important result of this study is to find resembles of morphological objective themes between the Guernica & the Assyrian apophasis sculpture | ||
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