The call in the poetry of Mr. Suleiman | ||
| CONTEMPORARY ISLAMIC STUDIENS MAGAZINE | ||
| Article 1, Volume 5, Issue 10, July 2014, Pages 156-187 PDF (0 K) | ||
| Authors | ||
| Mackie Mohi Idan; Karim Sawadi al-Jubouri | ||
| Abstract | ||
| Abstract Hair was still a fertile field for many linguistic studies at different levels, has excelled in which poets many take many of them his share of the study and brought them many lights, and received enough attention from the presence of modern scholars to be on the other side stands a group of poets remained creations forgotten, and omitted Pens researchers, despite the fact that in their hair material Therh worthy of study and research, because of an article linguistic enormous, and those of Mr. Suleiman the Great, who died in (), poet born in Najaf, and when he shot to fame emigrated to Hilla and Metzj inform them, one of the family known historically as the family of Al-Shehab of households upper ancient and back attributed to Imam ZainalAbidin (peace be upon him), he was a man of letters virtuous and poet strong intuition, and I saw that the lion a bit of a shortage that gripped this character, appealed to the study of style appeal linguistic study Applied fall within the rhetorical semantics taking a model of his office and was the title of an applied research (NIDA in Haralsid Suleiman the Great); lies the importance of research and of being cast light on the style and hired him to carry the poet accurately sense reflected in a clear picture of his views and his beliefs and feelings The nature of the search warrant study (method call) after his language idiomatically; divided on two axes, the first intake Tools appeal in court, has divided the types are (O waHamza whatever), addressing each tool according to their numbers and their structures contained in the Office poet, came the call tool (O) in a dozen complex, and then the tool Scar (Wa), and Hamza in the three structures, and (whatever) in the six structures, while the second axis was allocated to study the purposes of metaphors that came her appeal when the poet 0 | ||
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