Stylistic Structures of the Artistic Eastern Letters During the 8th (H) Century | ||
| Ahl Al-Bait Jurnal | ||
| Article 1, Volume 1, Issue 16, November 2015, Pages 221-232 | ||
| Authors | ||
| Karima Nomass Mohammad Al-Made; Makki Muhii Ghidan al-Kelabi | ||
| Abstract | ||
| (Stylistic structures of metaphor in Eastern messages during the eighth century art for Migration) A semantic component of the reverse , which resorted to the writer for expansion in his shift from direct discourse and thus earns text its poetic tools the of the break stereotypes relationship between the signifier and the signified And metonymy structure neutral between fact and metaphor , because the concerned real and figuratively are found in context, hence known as metonymy , as ((that wants the speaker to prove the meaning of meanings do not remind it verbally Thread it in the language, but he comes to the meaning is the apotheosis and smacking in the presence he appoints to it and makes it sign it)). The metaphor is one of stylistic tools that stand aside from the significance in the text, which calls given great care by investing potential mechanisms which give the virtual unauthorized expression on the surface of the text for the purpose of referral to the internal disclosure of Webmasters of the text. Have formed a metaphor for the prescribed stylistic feature prominently in drawing pictures in those messages oriental art. | ||
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