Intuitive system in Islamic art between the imaginary and the logical | ||
| Journal Of Babylon Center for Humanities Studies | ||
| Article 1, Volume 4, Issue 2, August 2014, Pages 305-318 | ||
| Authors | ||
| Ali Shenawa Wadi; Hussein Ali Shenawa | ||
| Abstract | ||
| The Islamic art platform civilized owns effervescence aesthetic that make it an art self-contained prescription art based on the terms of reference and constants granted Grid privacy and stability is an expression of the nation with all their aspirations heavenly, spiritual, moral, and there are a lot of arguments and studies that chosing are not objective to aesthetic discourse optical Islamic without examination of the fundamentals of Islamic Art with it's process intuitive virtual Does this constitute a system and what the nature of the mechanisms and jobs that this system going? What is the nature of jobs, what is imaginary where? What are the structural how logical processors that control the format in artistic photography and other arts such as decorative arts, architecture and landscaping? The dimensions and the nature of the impact of intellectual belief in structural formations? It is problematic questions require examination of this system and to identify all of the intuitive and the imaginative approaches . | ||
| Keywords | ||
| Humanities; Islamic art | ||
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