Sam Shepard's Curse of the Starving Class and Buired Child: Reverberations of the Decadent American Morals | ||
| journal of Human Sciences | ||
| Article 1, Volume 1, Issue 13, June 2018, Pages 358-373 | ||
| Author | ||
| Maamoon Sami Salih | ||
| Abstract | ||
| The literary production of Sam Shepard demonstrates some atypical intricacy. His career as a dramtist reflects an ample development on the thematic as well as the technical levels; a mounting dramatic maturity that Shepard himself concede. In an interview published in 1974 Shepard announced that "he was now trying for less flash and fewer mythic figures."¹ Although he had thought that the character is a “corny idea,” he was now becoming interested in it “on a big scale.” This progress is reflected in the reaction to Shepard's works which is in itself problematic: | ||
| Keywords | ||
| Reverberations; Decadent American Morals; The literary production; Buired Child | ||
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