A reading in the technical characteristics of the Islamic poetry in both sadir Al-Islam and Al-Amawi eras | ||
| Journal of Literature Ink | ||
| Article 1, Volume 1, Issue 8, June 2018, Pages 247-288 | ||
| Author | ||
| Nahi Ebrahim Alobaidi | ||
| Abstract | ||
| This research studies the technical characteristics of the Islamic poetry in both sadir Al-Islam and Al-Amawi eras. The research has included seven requirements: 1- The technical construction of poem. 2 Pronunciation. 3 Meanings. 4 Ideas. 5 Images and imaginations. 6 Quotation. 7 Repetition. The requirements are followed by a conclusion in which the most important results, reached by the research, have been recorded. Perhaps the most prominent results are: Some of the poets in the two mentioned eras were keen to abide by the old technical construction of the Arabic poem, in terms of introduction, body, and conclusion. They have varied introductions, for example ruined, flirtatious, and wined introductions. They were also abided by some of the old ways in their poems openings, for example questioning, appeal, oath, and getting started with (would that), (told), (ask) and others. Other poets, who were numerous, have released from the obligation by traditional introductions. They also liberated from talking about the experience of she-camel and camel, and desert and journey. They replaced the traditional introductions by new religious introductions, and turned into opening their poems with the opening approaches mentioned above. The Islamic poetry, in its managing era, has been enriched with a wide range of Islamic words and terms, for example faith, atheism, revelation, the Quran, prophecy, paradise, hell, piety, jihad, resurrection, martyrdom, and other terms. Other new meanings, which have not been known before, have also emerged, for example trust in God, turn to him, go to him in weal and woe, oneness, repentance, and others. These meanings have given the poetry the smoothness and clarity, and extricated it from the complex and strange terms. The Islamic ideas has spread in the Islamic poetry, for example (the ownership and judgment are for God alone, nobody repels his order, no change to his judgment), (resurrection, judgment, retribution), and (the guidance and aberration come from God). The Islamic poetry has included different approaches that acquired by the poets from the Holy Quran, and their world and environment. The poets in the two mentioned eras have quoted verses of the Holy Quarn and texts of prophetic hadith. They also turned into repetition, where they may be affected by the style of Quarn which often adopted redundancy for the report and confirmation. The poets follow this doctrine in order for confirmation, comprehension and persuasion. The repetition has been considered as a general phenomenon in Al-Amawi poetry because the poets often turned to it. | ||
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