الفن في شعر ابن خاتمة الأندلسي دراسة في تركيبه الصوتي | ||
| Journal of The Thi Qar Arts | ||
| Article 1, Volume 2, Issue 7, September 2012, Pages 45-79 | ||
| Author | ||
| dr.khalid leftah baqir | ||
| Abstract | ||
| The aim of this research is to tackle the phonetics construction which depends on internal and external rhythm in Ibn Khatimah,s poetry , and studies the musical structure which takes place in his poetry in several ways such as : repetition , division, ornament, paronomasia and reiteration. So the research sheds some light on his meters and rhyme , which represent the musical value in his poetry, then the prosody formation is being a contradiction nature between the quiet of Mustafilun and the relative fast of failun . In his poetry which has a high technique to express his emotional cases , and harmony with ardent love personality , which takes place during the time of his creation of artistic work . We notice that his rhyme has strong relation with music of his poetry. He uses a new skillful poetical technique depends on using more rhyme in one poem . Ibn Addurayhim surpasses him , because he uses this technique before him and more than him . The concentration of the poet on one letters definitely flows from his emotional nature or echo to what he fells at the time of writing his text . What we observe in Ibn KHatimah ,s diwan is that his ability to use tone of illah,s letters , The paronomasia forms musical phenomenon , which has extensive influence. The paronomasia is not rhetorical flourishes, but it has the impact to direct the meaning , in regard to its ability to grant the poet with capability of tone , which gives surprise after obscurity . | ||
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