The Artistic Style of the Arabic Calligraphy in Mosul : An Artistic Study | ||
| Athar Alrafedain | ||
| Article 10, Volume 4, Issue 1, January 2019, Pages 231-254 PDF (2.51 M) | ||
| DOI: 10.33899/athar.1970.164595 | ||
| Author | ||
| Raad Rithem Hussein* | ||
| Directorate of Education in Ninevah, The Institute of fine arts for Girls | ||
| Abstract | ||
| This research aims at finding out the ways and the realistic style that can be used by the calligraphers in Mosul . besides it gives the reason which urges those calligraphers to prefer this kind of calligraphy and refuses the other .It shows also the dependent way for the Arabic Calligraphy in Mosul . This research tackles five Calligraphers who stand for one of the most important periods in the history of the contemporary period in Mosul, starting from Yousif Thanoon ( calligraphic realism in Mosul in 1960s up to date . The research also shows their own biographies and talks about a descriptive and analytic study throughout two pieces of their works each to see the style every one uses . The research depends entirely upon personal debates and meetings with each one , beside, the most important reasons as how to explain the poem of Ibn AL-Bawab in the science of making up a book for Ibn AL-Bassees,the Arabic Calligraphy of the Abbaside Age in Iraq by Suhaila AL-Juburi, the Message of Ibn Al-Muqalah in Writing and so on. Finally , the research finds out certain outcomes that can be found and seen in the conclusion. | ||
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