City of Karbala as has been painted by Metraghi zadeh | ||
| AL-SSBET JORNAL | ||
| Article 1, Volume 1, Issue 2, March 2018, Pages 145-166 | ||
| Author | ||
| Dr. Emad Abd Al-Salam Raoof | ||
| Abstract | ||
| Abstract Represent images painted by the Ottoman traveler matrakçı nasuh Nickname Mtraca Zadeh scene Husseini al-Sharif and the city of Karbala in the year 941 AH / 1535 AD, especially in track history importance, they represent the first recording format, font and color of these timeless monuments. These two are characterized Accurate adult and they include many details Express what reached the Islamic Art of decoration scene of adult development, taste and slender, especially after the Safavid architecture in the tenth century for Migration (XVI AD). On the other hand, the inscriptions magnificent scenery and motifs that appeared in these decorations, and most of them carried out on the brick glazed (tiles) indicate the amazing progress that has reached this art in that era, and that the amount of brick user of this kind show that the industry was taking place in the site construction itself, ie, in Karbala, which indicates the great importance it reached this city in the field of industry and colored bricks since that date, which is known in these times to become the industry coupled with its name. That it is regrettable that most of those works of art rare disappear, because of the work of reconstruction and renewal and continuous change made to the scene in these times, especially in the Qajari Covenant and beyond it was removing most of the bricks glazed and plant engineering Trappings colorful that they represent the main element in decorating,and replace it with a layer of brick deaf doctrine, as well as the replacement of the historic magnificent decorations in Sharif shrine inside the building, of late, with a layer of pieces of mirrors called (sample), and do not keep any models, which were removed from those decorations. Then that it continues to expand and increases the many in the building and the area, especially those carried out in the last century, all was not going according to archaeological experience take into account the importance of the place of historical and artistic aspects, and documenting what being removed, it led to the disappearance of much of what remains of the verses of the art, architecture and history,and it could have been a scene, if it takes into account or in part, a museum and rarely unique to the development of Islamic Arts as well as a high spiritual significance in the hearts of Muslims. | ||
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