The semiotics of the black color and Ádīb Kamāl al-Dīn’s poem itʼs implication in (the case study of "The Letter and the Crow"’s poetry book) | ||
| Basic Education College Magazine For Educational and Humanities Sciences | ||
| Article 1, Volume 0, Issue 29, September 2018, Pages 98-111 | ||
| Authors | ||
| Rasul Blaoa; Ali Asghar Ghahramani; Layla Yadkara | ||
| Abstract | ||
| The black color is considered as an important part of artistic portraiture in poetry’ and each poet for recognizing of his asateric word’ has his special experience. Ádīb Kamāl al-Dīn’ the contemporary poet’ achieves a special experiment in this case and specially in using of the black color. The semiotics of black color and the available implications in it that has seen in his poetry book’ convince us to examine this complicated and ambiguous word’ generally and seperatelly. The poet’ incessantly’ doesn’t employ the black color for implying to external implications. In most of the time‚ he hints to the hidden implication by black color‚ that it’s perception is not possible without contemplating in his poetic texture. This research is important‚ because it examines the profundity of the words which implicate the black color in this poetry book. So it is considered as a new research. And the discovery of these allegorical implications for understanding the poet’s thoughts is essential. This research has used an analytical‚ statistical method to examine Ádīb Kamāl al-Dīn’s attitude toward the black color and the hidden symbolization of that. When we have examined the black color in "The Letter and the Crow"’s poetry book. We find out that the black in his book stands in the first place‚ and the concepts and the meanings which the poet has used in black color are completely negative. so‚ this color in his point of view implies the death‚ the fear‚ the darkness‚ the pessimism‚ the sorrow and disappointment. | ||
| Keywords | ||
| the Iraq; the semiotics | ||
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