Imam Al-Hassan in Samples of Modern and Contemporary Arabic Poetry Reading on the Stylistics of Imagery | ||
| AL-AMEED JOURNAL | ||
| Article 1, Volume 5, Issue 5, August 2017, Pages 23-53 | ||
| Authors | ||
| Asst. Prof. Dr. Kareema N. AL-Madani; Prof. Dr. Ali K. AL-Maslawi | ||
| Abstract | ||
| Thanks be to Allah invading the human heart with His grandeur, no sight could cuddle Him for the His dignity, He surmount matters with capacity; no sight catches His being, no doubts could fathom His grandeur, no tongues could count His blesses, peace be upon the seal of the prophets Mohammed and his immaculate and prominent progeny. Now: The imagery is considered as paramount in the creative text in general and poetry in particular as there is a Quranic importance to convey a profound portrait: poetry surges into view as prominent in the field of creativity for the sublime and great niche Allah maintain to the Ahlalbayt and also people do, that is why the quills of the adherent poets take delight in the love of the imams. The current paper floats into being to scrutinize the portrait of imam Al-Hassan in the Arabic poetry and the techniques the poets employ in portraying the niche of imam Al-Hassan, stance, rigours, traits, as he is the son of the prophet and the master of the youths in paradise; whose imagery manifests aesthetic and creative values and culls its doctrinal identity and sentimentalist and intellectual presence, existed and infatuated at one time. There are certain poets as selected from different regions praising and elegizing the imams as immaculate and as a suppressed martyr that is why the paper comes with various colours as they are different quills; the study reverts into stylistics to have the artistic values and images and tends to be bifurcated into three axes: 1- Simile. 2- Replacement. 3- Propinquity. Ultimately the study terminates at the findings. | ||
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