Primitive features in the formation of postmodernism | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 16, December 2016, Pages 217-251 | ||
| Authors | ||
| Alaa Abboud Ali Hatami; Tsuwahn Majeed Takleef | ||
| Abstract | ||
| The research current (primitive features in the formation of post-modernism) .ozlk because the contents of the Art of reference are rooted deep in history, is the result of what can result reflection subconsciously to the growth and integration of the transformations of knowledge of human experience in art, through semantics search for the essence of beauty and values Almtbdih builders in the artwork primitive form and content, and by primitive artist of the products of art imbued spontaneous nature, is a true reflection of what can be involved in intellectual and artistic reality of structural and aesthetic performance data in the public responses . So the research problem came to ask for what defines the conceptual and aesthetic dimensions of primitive placed in the formation of post-modernism? Is placed primitive granted qualities and connotations to ensure Basbug features unique to the formation of post-modernism without the other arts and was thus guaranteed by Chapter One goal of the research wanting to know the primitive features of the formation of post-modernism, and within contemporary art in Europe and America, the limits for the period (1950 ) to (2004). It was also identified terminology. Chapter II then included on the theoretical framework. It guarantees the theoretical framework three sections the first of which dealt with the emergence of primitive art, while the inclusion of the second section, the concept of primitive features, and came third section explains the features of the primitive and the formation of the currents of postmodernism . The third chapter research procedures and because of the breadth of the research community has been the research sample election in a deliberate b (6) a model for the research sample and adopted the researchers in the analysis of the sample models on the descriptive approach and style content analysis as this chapter include building tool as initial and final The fourth quarter included the results of the research and its findings, as well as recommendations and suggestions, and the main findings of the researchers: 1- identifies primitive features in the formation of postmodernism that both the artist and the artist’s primitive Almapad Alhaddathwai enjoys the ability of creative and artistic energies possess. This energy that has not changed through the ages from the cave artist to artist the third millennium, what he sees of the world’s human subjects perceived sees the artist’s creative Bkhialath starts with Baltobeiranha. 2.primitive features appear in the form of postmodernism through colors and carries a symbolic and explicitly in addition to being expressed in the technical Ntegathm suddenly colors either explicit expressive drawings were characterized by simplicity and rigor and show movement . In light of the search results researchers supplied the following conclusions: 1. has been associated with the psychological dimension of artistic work closely through the long history of art as a valuable check a form of spiritual communication between man and himself, and between him and the other is also a psychological dimension to the anchor of a humanitarian to put proposals on the artwork. After the completion of research and investigation for the benefit, researchers propose the following studies: 1.primitive features in Gauguin fees | ||
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