Aesthetics style at the Max Beckmann fees | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 15, November 2016, Pages 69-97 | ||
| Author | ||
| Huda demanded cruiser | ||
| Abstract | ||
| Researcher starts in the field discussed this، it is placed style important given that poses an aesthetic phenomenon occupied an important place in public discourse map visual form and drawing him in particular. As evident this phenomenon through the aesthetic style in one study of modern European artists fees (Max Beckmann). The current research included four chapters، the first chapter contains research problem and its significance and the nature and limits of his goal and define terminology. And it identified the problem of searching through Tmzarha follows by asking: - What is the aesthetics of style in the artist Max Beckmann charges? The first chapter also includes the goal of a research: - Learn about the aesthetics of style in fees (Max Beckmann). The limits contained in the first chapter has been limited to the study of the aesthetics of style in fees (Max Beckmann) and analysis of pictorial models for paintings executed with different materials (oil، acrylic، etc.) on Alcanvas for the time period (1918 -1945 AD). The second chapter has included theoretical framework، which contains three sections addressing First topic: Reading in the aesthetic concept of style، and in the second section Vontoy on the study of the diversity of artistic styles in modern European painting، and in the third section has been studying the experience of Max Beckmann’s art. The third contained a chapter on research procedures، including the research community and appointed by the nature of the curriculum، and then the sample was analyzed (5) a model. The fourth chapter Vahtoy on search results and conclusions، and the results that have been reached: 1. Characterized businessman (Beckman) showing the deep features of Alansanahomn Socially deepens the link with the reality in various forms، as in the research sample models (1.2، 3، 4.5). 2. Characterized by style (Beckman) being the expressive approach fraught Bbaada aesthetically very psychological bent through the embodiment of the manifestations of death، pain and suffering and cruelty and brutality as in the research sample models (1.2، 3، 4.5). The researcher found to a number of conclusions، including: 1. Estm technique is generally self-expression and constructivist vision in which the elements and foundations are organized within the esthetic medley format. 2. The stylistic vision of (Beckman)، involving a great deal of vulnerability to the nature of artistic styles expressionism and Alohoucah. As well as Surrealism. This study also included recommendations and proposals، including: 1. Narrative style in the modern expressionist painting mechanisms. As well as the abstract in English. | ||
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