Cultural reflection of social identity in the Iraqi theater techniques (selected models) | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 15, November 2016, Pages 13-37 | ||
| Authors | ||
| Mohammed Abbas Hantoush; Shaima Hussein Dagher | ||
| Abstract | ||
| Culture is a cultivated behavior ; that is the totality of a person’s learned , accumulated experience which is socially transmitted , or more briefly , behavior through social learning which is used to evaluate the individual and community . This concept has appeared specifically in Europe in the end of the century to improve and reform individuals . The art , in general , plays a great role in fixing culture and spreading it the world and it helps in creating the human , national and popular unity . Theatre can influence people more than anything else because it considered as the wide field that represents the cultures and their reflection on people through the limits (audible , seen and moving) . This search paper is consisting of four chapters . The first chapter deals with the methodical frame including the search problem and question (to what extent the theatrical technologies can express the features of the local identity in the plays show) . It also includes the importance and goal of this search . It aims to highlight the social phenomena and society fighting and the mechanism of representing them through the play show techniques like directing and acting . The searcher tries , through this search , to follow the society cultures which constitute its cultural features , which is not searched before . The social life is considered as a group of behaviors and cultures which refers to a specific social identity . This search paper also aims to be useful for the students of the theatrical arts department in the fine arts colleges rather than its relation to the students of anthropology department because it is interested in the thoughtful and cultural aspects . The first chapter ends with identifying the terms . The second chapter (theatrical frame) includes two subjects that are 1. The culture concept and its knowledge variety and spreading . 2. The effect of the theatrical techniques in representing the various society cultures . This chapter ends with the indicators resulted from the theatrical frame . The third chapter includes the search procedures , search society , and search sample including two plays which are (curfew and red carpet). The fourth chapter includes the results , conclusions , sources and references . 1) adoption of the artists of the 3D art to represent the events in a strange environment with it, gives the other (receiver) pleasure and surprise and puzzlement, and novelty in the receive and in the interaction and contribute to the production of work culturally, intellectually and visually and marketing. 2) contemporary art tri-dimensional drawings adopted the aesthetics of metaphor and aesthetic heritage, according to the principal communication and juxtaposition between the artist and the artwork and the receiver Vantage overlap and compatibility. In this researchs results, searches reach a number of conclusions including: confirmation graphic arts on the ground, the importance of vulnerability, impact and aesthetics in restoring public places geographical configurable through the act of painting, as a grant fun and pleasure, participation and communication and contact with the other. As well as the recommendations and some of the most important proposals to hold the next study: (The visual illusion aesthetics in the US wall 3D street art on the wall). | ||
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