Architecture implemented on the Islamic Ottoman ceramic forms | ||
| Journal of Nabo | ||
| Article 1, Volume 0, Issue 13, September 2016, Pages 115-141 | ||
| Authors | ||
| Safa Lutfi Abdel Amir; Karim Shaker cream | ||
| Abstract | ||
| Islamic works of art ceramic has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual and cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, has sought Muslim artist in his own language Creative eating nature vocabulary and processed through a technical modification and innovation, proficient in by highlighting the formal structure of a new show in which the aesthetic and functional role consistent with new thinking, and the most important artistic styles of the Islamic Ottoman style. Hence this research to study (the shapes executed on the Islamic Ottoman ceramics), which included four chapters structure: The first chapter discusses a presentation of the research methodology included the research problem - its importance - needed - Find goal - temporal and spatial boundaries. The second chapter section to two sections: the first section came: constructivism art form in Islamic art, came second topic: the decorative motifs executed on the Ottoman ceramics. The third chapter procedures included as Search for the research community and the multitude of 48 different species and measurements in accordance with Khozvia (dishes - dishes - tractor - vases), has identified a researcher sample purposely and with (4) sample. The fourth chapter set of results, most notably: 1. The emergence of the intellectual and stylistic influences of Islamic art in Ottoman ceramics, both in shape or color or technical drafting. 2. Adoption of the Ottoman artist on symbolic meaning and expression of semantic form and color incarnate on the ceramic surface. The conclusions of the most important of which was: 1. included ceramic business diversity between the shape and color to produce a unified formal structure. 2. did not leave the Muslim artist cultural heritage in the construction of artistic forms after he penned a new Islamic vision and spirit. The study hasa number of proposalsand recommendationsand thenfollowed bythe title andsummaryin English. | ||
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