Phonological Harmonyin Surat Al-Tahrim: Inntonaton as a Nonpareil | ||
| AL-AMEED JOURNAL | ||
| Article 1, Volume 5, Issue 2, March 2017, Pages 375-401 | ||
| Author | ||
| Lectu. Muhammad A. Ma | ||
| Abstract | ||
| ABSTRACT The actual study tackles the Quranic text of a blessed Madinasurat, Al-Tahreem by an element of the modern analytic methodology ones that designates a developed phase of the linguistic research phases; linguistics and the intonation mechanisms as an element of the phonological harmony. The research confirms the argument stirred by the linguists: the harmony and collision as the most two important elements of the seven elements of the linguistic text, as well as it stresses the hypothesis claiming that the phonological harmony, acted by the intonation, is one of the methodology mechanisms revealing the significance of the text with its two levels: minor - partial - and big - total -, the research finds that the holy Surat designed as a circular structure ramified into three graded tones to be a phonological gradient tenet of the semantics. The study employs the performative recital signs in particular “sala“ and “Jeem” to stern the textual musicality; such is an analytic practice many a phonetic phonetician misses, yet the present study proves the fact important in buttressing other analytic instruments. | ||
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