The mechanism of Cognition and imaginary in art painting | ||
| Alustath | ||
| Article 1, Volume 2, Issue 218, July 2018, Pages 465-486 | ||
| Abstract | ||
| process of forming an integrated vision of art begins in the formation formality symbols consistent in painting, through the formation of the events of compromise and communication between imagination and grasp technical concepts that the artist seeks it in the construction of incomplete formations sensual images perceived by the receiver system, to form the structure conceptual continuous formations sham linked to the imagination, which is owned by the artist and the artwork and the ability of the receiver to decode the painting symbols and expression of the pleasure felt by the sensations through interconnected affect the perception final form of artwork. For this, we find that the process of cognition and imagination qualities go together in the analysis and installation art painting to enjoy these mental processes in the understanding of all the details that the artist seeks delivery to the receiving process. The problem of current research in the following question was formulated - (what how under which that embodied cognition and imagition in art painting) The goal of current research is - (What are the modalities in which the cognitive process employs and the imaginary in art painting ) has included theoretical framework following detective first topic - perceptions psychology. The second topic - imaginary concept and functions. Section III - the functioning of the imagined mechanism | ||
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