Intertextuality memory archive ((Author Abbasi model)) | ||
| Journal Of Al-Frahids Arts | ||
| Article 1, Volume 1, Issue 24, September 2017, Pages 88-103 | ||
| Author | ||
| Ramadan Saleh Al-Abad | ||
| Abstract | ||
| This research seeks to address the subject of the shares in the color industry of technical prose creative colors in the Abbasid period, a (Altersl), and what he needed text builder to science and industry, skill and knowledge had to acquire the culture and talents through intellectual and cognitive cross-fertilization and ruminate about what the memory and archives of accumulation of encyclopedic gave him multiple and diverse cultures when it creates a new text in the sense of meanings. Pour the qualifications of the writer first fortification Alterslah ability has thus making him highlighting the elite writers eloquent need the state and the succession of acts of the venerable, and another idle does not serve me the ability to keep up with or fame, the more varied culture writer and colorful, and hit a decent soil, and Queen dishonest, and talent Mtoukdh, and taste finer, progress owner in his art, and he didn famous writers of the period Alabasi- especially Starter Altersl, Eetmahon with this concept, it would be up to the grave sites in the state and management of the important things he has to take a premium, and the multitude of those qualifications that will help him to carry out his work, and he has to investigate the minutes things large and small that hits an arrow which, the most important cultures that it should vaccinate his mind out, religious culture - the focus of our study - and play it from keeping the Koran, and to know its provisions and his law as well as the Hadith, and other religions, science and language, and her hair and news of its own scientists, and her days to the other ... all of that is an important reference certain to produce a new text, and ship cards so they can be referred for the purpose of technical mastery, and stimulate the recipient making participants, and influenced psychologically new text including added religious intertextuality in the text product and hint to what is revered in the same receiver, and through by the author, including Osafth memory and its stock are about verbal meanings have been reformulated and reduced to submission and are not repeated, as if presented for the first time in the context of art and opens up some professional intellectual and mental Antekayaa from that archive. | ||
| Keywords | ||
| Intertextuality memory; archive | ||
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