Women character in the texts of Ibsen and Lorca play ( Comparative Study) | ||
| Journal Of Babylon Center for Humanities Studies | ||
| Article 1, Volume 5, Issue 1, June 2015, Pages 278-297 | ||
| Authors | ||
| Shaima Hussein Taher; Dr. Mohammed Abbas Hantoush | ||
| Abstract | ||
| The current research addressed with title (THE CHARACTER OF THE WOMAN IN THE THEATRICAL TEXTS OF ABSON AND LORKA) has shed the light upon this persecuted character and how every writer has dealt with , choosing this topics was due to its importance, the research included three chapters: First chapter dealt with the problem of the research which was represented with the question (How did each of Abson and Lorka deal with the character of the woman in the theatrical texts socially and psychologically?) Also the first chapter dealt with the importance and need of the research because it shed the light on character caring of the woman also with the issue of liberating the woman that invaded a big space from the concern of Abson and Lorka, also it’s a cognitive product that benefit the researchers in the field of theatre notably in the field of the literature and the history of theatre, also this chapter included the goal of research which was concentrated on knowing the method used by Abson and Lorka with the character of woman socially and psychologically, also included the limits of the research that was defined by time from 1828-1906 for the theatrical writer (Henric Abson) and the year (1898-1936) for the theatrical writer Gharista Lorka. By place was in (Norway) – (Spain) . By subject :studying the character of woman in the plays of Abson and Lorka within a comparison study , this chapter was ended with defining most important terms mentioned in the research. The second chapter was about (the theoretical frame and previous studies and discussing them)and included three sections, first one dealt with the (character of woman in the humanitarian communities) a historical study, second section dealt with ( the concept of the personality psychological), third one dealt with (the character of woman in some texts of international theatre), this chapter was finalized with some evidences resulted from theoretical frame and discover the previous studies. The third chapter concerned with (procedures of the research ) as it include the population of the research and its sample that was two theatrical texts chosen intentionally as it include main female characters in different historical periods, also it included the research's tool, research's method as the researcher used the analytical depictive method due to its convenience to the research, the research was finalized with analyzing the samples of the research. Four chapter included the results and most important ones are: 1- First sample: the woman in this sample is free to have any decision she wants throw the slapping of the door that let Noor get released from its prison . 2- Second sample : the woman is imprisoned to traditions and rules and she is defending them . The third chapter was ended with conclusions, suggestions, recommendations, list of references and appendixes and English abstract. | ||
| Keywords | ||
| Humanities; Arts; theater | ||
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